UbuWeb: Sound
Everyday Listening
Harvard University Sensory Ethnography Lab
Elektronmusikstudion’s list of sound art recordings
Sound Art in Practice (links)
((audience)): New Contexts for Sound Art (blog)
New Adventures in Sound Art
London ICA’s SOUNDWORKS project
John CageNYPL Database
Ear Room
Ekho: Women in Sonic Art
Binaural Media (Portugal)
Sound Art
Creative Research in Sound Arts Practice
Janet Cardiff and George Bures Miller
Susan Phillipsz
Max Neuhaus
Haroon Mirza
John Wynne
La Monte Young
Alison Knowles
Nam June Paik
Bruce Nauman
Vito Acconci
Robert Morris
Takehisa Kosugi
Celeste Boursier-Mougenot
Rolf Julius
Brian Eno
John Cage
Robin Minard
Stephen Vitiello
Ryoji Ikeda
Bruce Odland
Ernst Karel
Richard Chartier
Doug Aitken
Derek Hoffend
Ed Osborn
Carl Michael von Hausswolff
Marina Rosenfeld
Steve Roden
Andy Graydon
Jacob Kirkegaard
Archive (Chris Kubick and Anne Walsh)
Francisco Lopez
Christina Kubisch
Carsten Nicolai
Christof Migone
Toshiya Tsunoda
Yutaka Makino
Sound Exhibitions and Galleries
Soundspill, May 8 through May 26 at Zabludowicz Collection New York, 1500 Broadway, 7th and 33rd floors, NYC

Uri Aran, Untitled (Good & Bad), at The High Line through April 2013, NYC

Max Neuhaus, Times Square, on permanent display between 45th and 46th Streets, Times Square, NYC
NYC 1993 (includes one sound work, Sail on Sailor by Kristin Oppenheim) through May 26 at the New Museum, 235 Bowery, NYC
Audio Visual Arts (AVA) gallery, Thurs. to Sun., 12-6 pm, 34 E 1st Street, NYC
Diapason Gallery, 220 36th Street, Brooklyn

Soundings: A Contemporary Score, August 10 through November 3, 2013 at MoMA, 11 West 53rd St., NYC

Adorno, Theodor W. Quasi Una Fantasia: Essays on Modern Music. New York: Verso, 1998 (1963).
Bachelard, Gaston. The Poetics of Space. Boston: Beacon Press, 1994.
Barthes, Roland. ‘Listening,’ The Responsibility of Forms: Critical Essays on Music, Art, and Representation. Berkeley, CA: University of California Press, 1991.
Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961.
Cage, John. Empty Words: Writings ’73-’78. Middletown, CT: Wesleyan University Press, 1979.
Cage, John. For the Birds: John Cage in Conversation with Daniel Charles. Boston, MA: Marion Boyars, 1981.
Cooke, Deryck. The Language of Music. Oxford: Oxford University Press, 1963.
Cox, Christoph. (ed.) Audio Files: Sound Art Now: An Online Symposium. Artforum, 2004.
Cox, Christoph. ‘Beyond Representation and Signification: Toward a Sonic Materialism.’ Journal of Visual Culture 10(2):145-161. 2011 Aug.
Cox, Christoph. ‘Installing Duration: Time in the Sound Works of Max Neuhaus,’ Max Neuhaus, ed. New Haven: Yale University Press/Dia Art Foundation, 2009, pp. 112-132.
Cox, Christoph. ‘Sound Art and the Sonic Unconscious.’ Organised Sound 14(1): 19-26. 2009 Apr.
Engstrom, Andreas et al. ‘Sound Art or Klangkunst? A Reading of the German and English Literature On Sound Art.’ Organised Sound 14(1): 11-18. 2009 Apr.
Heidegger, Martin. ‘Art and Space.’ 1969. Lecture.
Heidegger, Martin. Poetry, Language, Thought. New York: Harper Collins, 2001.
Hellerman, William and Goddard, Don. Catalogue for ‘Sound/Art’ at The Sculpture Center, New York City, May 1–30, 1983 and BACA/DCC Gallery June 1–30, 1983.
LaBelle, Brandon. Background Noise: Perspectives on Sound Art. New York: Continuum, 2006.
LaBelle, Brandon. Acoustic Territories: Sound Culture and Everyday Life. New York: Continuum, 2010.
Lucier, Alvin. Chambers: Scores by Alvin Lucier. Middletown, CT: Wesleyan University Press, 1980.
Russolo, Luigi. ‘The Art of Noises.’
Voeglin, Salome. Listening to Noise and Silence: Towards a Philosophy of Sound Art. New York: Continuum, 2010.

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